Despite living in or near Boston since 2012, I finally attended Boston Comic Con for the first time (recently purchased & renamed FanExpo Boston). This convention was previously held in the Hynes Convention Center, but has moved to the Boston Convention and Exhibition Center. The new location is fantastic! It’s accessible by public transportation and easy to drive to. Lawn on D is outside which (if the weather was nicer) makes it perfect for photoshoots and hanging out. Not to mention, there’s reliable and inexpensive food nearby and it’s connected to a hotel, which is perfect for out of town guests or afterparties. Plus, there’s also TONS of space within the center itself.
However, FanExpo Boston really, really left me wanting.
I reached out several months prior to the event about hosting panels but I received no response. Since Jewel Staite was a guest, my Firefly panel would have been perfect and I have a bunch of solid pop culture panels which have appeared at conventions as big as New York Comic Con. Despite not presenting any panels, I decided to check it out since it’s close to home and a ton of my friends and Browncoats would be there.
I spent Friday walking the floor in my Magic Wand Hermione cosplay and got a few chuckles before I left to teach a class at Good Vibrations Cambridge.On Saturday and Sunday, I spent most of my time at the Boston Whovians table, except when I attended Jewel’s panel. There just wasn’t anything really interesting for me to check out… The minimal panel schedule went up barely a week in advance and there were only 1-2 panels per hour. While I don’t like having to choose between TOO many good programming options, having almost no programming is worse. It’s much harder to keep up energy and way easier to get bored when all you can do is walk the floor.
Another big issue was how FanExpo Boston used the space. I can compare their use of space to Rhode Island Comic Con (one state away) and I found myself mentioning this to friends several times throughout the weekend. Both cons seem disorganized for releasing programming. Where RICC gets is super cramped in the Dunkin Donuts Convention Center & arena with big-name guests, FanExpo Boston had mostly mid to low tier guests and so much room that they did nothing with. In terms of programming, the only panel I attended was midday on Sunday and it was so far away that it was practically in the hotel next door. I saw several panel rooms completely unused and empty, which frustrated me since I offered to host panels. Jewel Staite’s panel room was smaller than panel rooms I’ve been given at similar conventions and, while I’d like to think I’m a little bit famous, I’m not on the same level as the actual cast of Firefly. These things particularly frustrated me because a convention literally one state away needs so much more space and can’t have it, while the BCEC has so much space (and room to spread into the next door hotel if they needed!) going unused. It’s such a waste.
Besides the misuse of space, the show floor was confusing and poorly laid out. I spoke with several artists who expressed disappointment that there was nothing on the show floor to point to the Artists’ Alley. It was tucked in a corner that most people couldn’t make it to. I really dislike conventions that shove their artists in a corner because the Artists’ Alley is one of the coolest and most unique places on the con floor! When it’s tucked in the corner, attendees often spend all their money before even getting to it–if they even make it there at all. Artists’ Alley wasn’t the only place that went unlabeled; several official cosplay meet ups were listed in the program at the ‘Cosplay Photo Park’ but no one knew where that was. If you looked at a small hashtag on one banner, or apparently in the app (which I didn’t download because it kept crashing), you might have figured out that the ‘Cosplay Photo Park’ consisted of 4 background banners set up near the cosplay celebs booths. But most people didn’t figure that out and I was disappointed that the turnout for the Firefly cosplay meet up was low.
I was also surprised, given all the space in the lobbies, that there weren’t droves of photographers doing photoshoots. I did meet with Nerd Caliber (which had a spot on the show floor & was making the best of it) to get some awesome shots with them, but I wanted an environment like Emerald City Comic Con, where you could walk out of the convention halls and get tons of great pics in the lobby or the surrounding parks.
Given my extensive convention experience, I would put FanExpo Boston on a tier below a convention like Wizard World Chicago. It’s a convention in a larger city with a lot of interest in geek culture but lacked enticing programming and strong guests. It’s an ongoing issue when conventions release their programming late, because many attendees decide whether or not to attend based on available programming. Without knowing the schedule, an attendee won’t know if it’s even worth going. In the case of FanExpo Boston, I’d say not. I kind of want Altered Reality, the company that runs Rhode Island Comic Con, to get their hands on this convention because I think they would actually use all the space to their advantage, but I also know Altered Reality tends to cluster everything up.. I can’t yet say if I’ll go to FanExpo Boston next year, but I am really looking forward to the rest of the conventions I’m headed to this year!
After missing its 2016 iteration, I was so happy to be back at Wizard World Chicago this year! Like all Chicago Comic Cons, this event took place at the Donald E. Stephens Convention Center in Rosemont, IL August 24th-27th.
I attended with my sister, Little Dove Cosplay, who was showcasing a new Sansa dress on Friday & Saturday… but I am getting ahead of myself.
Since we were presenting two panels, we picked up our badges in the ‘Exhibitor/Vendor’ section in Hall B. In past years, we were able to pick these up from the VIP or other sections, but this year we waited longer in line.
On Thursday evening, we walked the con floor and established what we wanted to see before heading to the “Make a Nerdy Living” panel. This panel featured The Pumpkin Geek, Amanda Meyer, Emily Evans, Scott Larson, Onrie Kompon, and later Mogchelle showed up (who was overbooked and hustled from panel to panel with nary a moment’s rest!). I was really impressed by what The Pumpkin Geek had to say; he was incredibly personable and gave good advice, like how reaching out over social media allowed him to save money traveling to different cons by staying on folks’ couches. Despite the panel being titled “Make a Nerdy Living” (emphasis mine), the majority of the panelists have a “day job” that pays the bills separately from their nerdy passion projects. This disappointed me because I still don’t know how to turn my passion into something that pays the bills. With six panelists, the conversation felt crowded and no one really got enough time to talk. Friday, my sister wore her X-Men: Days of Future Past Jean Grey cosplay, super comfy for a short day at the con, and I wore my coveralls.
On Friday, with an increased attendance, security had folks go through several metal detectors set up outside. Though some lines were dedicated to folks without bags, everyone filed through whichever line they could. My sister was dressed as Sansa in her black, season 6 dress (the one with all the feathers) and had her trusty direwolf purse with her (it’s name is Lady), and I wore my blue silk jacket and flip flops along with my coveralls for more of a pilot episode look. Once we got through security, I hosted my panel on ‘The Expanding Firefly ‘Verse,’ which is always shiny. This year, I incorporated new info on upcoming board games and some rumors about the fabled Firefly Online. I met with a bunch of other Firefly cosplayers for pictures with them before going to Artist’s Alley. This year (unlike my last Wizard World Chicago in 2015), the Artists Alley had its own huge area between vendors. I think this was a nice set-up, though I didn’t care for the second floor of the convention center being only cars and a haunted house. Oh well, it meant me and my sister didn’t have to crowd on the escalator!
We closed our Friday night watching “Dungeons and Dragons Improv,” featuring a Bloodrager Dwarf named Buttsteak, a punny bard halfling named Matthew McConaughey whose signature tune was “Take On Me” by Aha, and a shapeshifting gnome by the name of Cuddles who could only turn into marbles. These three were on a quest to rid Detroit of the Unicorn plague, fight a Spiderman-o-taur (half bull, half spider-man), and get a lapdance from Striptease the Unicorn, but in the end it turned out they might have been part of the problem. We left the con with tears of laughter streaming down our faces.
On Saturday, we returned bright and early so I could catch a panel called “Intro to Podcasting.” Despite several experts (David Vox Mullen, John ‘Bear’ Kolb, Patrick Newson, Paul Hinic, Nick Mataragas) clearly knowing what they were talking about, the panel was not very planned out. The panelists didn’t follow an outline and it was more of a Q&A than an introduction… and they kept pimping their new website which is a podcasting platform. Vox Mullen advocated paying for all of your own things (a website to host, etc.), and spoke most of the time, leaving very little time for Hinic and Mataragas to speak. I don’t think this panel was wasted time, but it definitely wasn’t what I was hoping for or expecting.
Saturday, I wore my screen accurate floral top with my coveralls, and we naturally went to see “One Season and a Movie: A Conversation with Summer Glau & Jewel Staite.” The panel started late, but it was refreshing to hear Lindi of PureFandom instruct everyone in the Q&A line for “No Personal Requests!” When asked where they would want their characters’ stories to go, Jewel answered that she wanted Kaylee and Simon to have lots of babies, and Summer offered River as babysitter. Jewel politely declined.
Jewel’s favorite episode was “Out of Gas,” while Summer’s was “Objects in Space.” “I don’t know if you can recapture something in the same way,” Summer said, when asked about a Serenity 2 focused on River. “I really respect what the show was.” Finally, if Summer could change one thing about Firefly, she’d wear shoes and brush her hair more. Ha!
After that panel ended, we headed down to Game Of Thrones Trivia, though sadly we didn’t participate (or win). It was a nice way to get excited about the season finale and hear speculations on how it would end. Tess was again wearing her black Sansa dress, and a lot of folks really loved it. After that, we went to the Creative Stage which was at the back of Artists’ Alley near a food station. I really like how this Creative Stage was set up and I think C2E2 could learn a thing or two from Wizard World. Not only was there more than one microphone, there was also an A/V set up to show a powerpoint! This was the first time I presented my panel “Getting Started With Etsy” and I was really glad to have Laura of Rebel Among the Stars Studios alongside to help me. We both have very different ways we use Etsy; they do it full time for a living, whereas I do it to fund going to conventions. We got some excellent questions and I can’t wait to see new Etsy stores that I hope were inspired by our info!
Sunday was a much more relaxed day since we were quite tired! We love that 5 Hour Energy has a booth at cons, because drinking those made us able to get through our last day! On Sunday, I wore my Elizabeth Swann cosplay and met up with friends (Sparrow Style Entertainment & Gormassmuss) who were both cosplaying Jack Sparrow! Since I was walking around with my sister as Sansa Stark, a lot of people thought I was a Game of Thrones character too. Whoops! I may have to start cosplaying Margaery again! My sister had opted for her pink King’s Landing Sansa dress, which she loves to wear because it makes her feel like a princess.
Overall, I had a really great time at Wizard World Chicago. I was excited to present both old and new panels, while spending time at a convention with my sister
My next convention is New York Comic Con, October 5-8th. Stay tuned for a panel announcement soon!
Zoe is pregnant, Mal relives his glory days, Kaylee and Simon want to take the next step in their relationship and Jayne… wants to become a preacher? Sounds like it could be the long desired second season of Firefly but it’s actually Browncoats: The Musical!
Produced by Tea Time for Mad Girls, this one-night-only event brought our favorite characters back to life in an immersive theatrical production at the Gemini Scorpio Loft in Brooklyn, NY. Complete with themed drinks and cookies (the latter provided by Simple Sweets by Melissa), the event was a mighty fine shindig!
This production took place about 9 months after the events of Serenity, with Zoe preparing to give birth and the crew figuring out what that meant for them in the aftermath of the political climate surrounding the events on Miranda. The musical disregarded the canonical comic Serenity ‘Verse, and instead choose to feature Mal preoccupied with re-joining the war effort. This means different things for each of the members of the crew: though Mal thought he could count on Jayne and Zoe, Jayne wants to follow in Shepherd Book’s footsteps and Zoe wants to be with her baby, even if she isn’t sure how to be a mother yet. Mal wants Kaylee and Inara safe and planetside, and doesn’t really care much where Simon ends up as long as River is expertly piloting the ship (what with her psychic-ness, and all). Simon won’t leave River and Kaylee doesn’t want to leave Simon and, despite Mal’s wishes, Inara wants to fight.
It takes the near-death of every crew member and the surprise visit of a beyond-the-grave Wash to get everyone’s head in the right place and keep them together on Serenity where they belong.
Though the set was fairly minimal with small details here and there, it worked as a representation of Serenity where actors ran between stage areas as they would do on the ship herself. However, all the running coupled with a full audience crowding a 2nd floor loft meant the venue was very warm. What’s more, the stages were not set up in such a way that the audience could see all the action. I learned later that the actors had only been to the space for the first time earlier that day. Given that, I was especially impressed with their set-up.
Browncoats: The Musical is a brand new production and that showed. Certain characters were written incredibly well, while others were portrayed superbly. I was disappointed to hear the word “damn” so many times when there’s an in-Verse alternative (gorram!). More complex characters like River and Inara had weaker writing, and unfortunately the actors’ interpretations did not feel like the characters I love.
Mal and Inara lacked chemistry, and Jayne felt a bit sassier than I was used to. However, Jayne’s acting choices were some of the strongest, especially because the actor committed to said choices. Kaylee’s writing and performance were spot-on, while Simon fumbling between his sister and the mechanic he loves brought me right back to the TV show. Zoe brought the whole production together, though I was disappointed that she was played by a white actress. At times, the singing was weak, but I do want to note the heartbreaking performance of ‘’Lullaby’’ by a back-from-the-dead Wash, which brought tears to many eyes.
This musical weakness is understandable, since this is a brand new production with little to no budget featuring volunteer performers rather than professional actors. Like most shiny Browncoat productions, the musical was more a labor of love than of cashie-cashie moneys.
Because the singing was rough at times, it did not do justice to some of the more well-written songs, for example, Kaylee’s love song to Serenity. I did like River’s interpretive dance though!
The production needs to work out some kinks if they hope to perform it again, but I was thoroughly impressed by much of what was provided and performed in this show. Plus I’ve had “Here’s to the Browncoat Cause” stuck in my head goin’ on a few weeks now… I hope to see more done with Tea Time for Mad Girls’ Browncoats: The Musical!
Last weekend at McCormick Place in Chicago, I had the pleasure of attending the Chicago Comic and Entertainment Expo (C2E2). It was an awesome way to round out my trip to the midwest which involved two conventions, Wizard World St. Louis and C2E2. The two conventions were very different but both were excellent experiences!
C2E2 is run by ReedPop, the same folks who run Emerald City Comic Con (a con I hope to attend soon!) and New York Comic Con. The latter two are four day events but C2E2 is only three days: Friday through Sunday. Since this con is local to my family home, my sister & I took public transport into downtown Chicago and met up with our friend in time to catch one of the C2E2 shuttles to the actual convention center. I really like the shuttle service, because it saves me a bunch of money that would be used on parking, but more on that later.
Friday was our lazy(ish) day. I cosplayed Elizabeth Swann, my friend cosplayed Flint (from Black Sails), and my sister debuted her Jean Grey cosplay from X-Men Apocalypse. As soon as we got to the con, we had to go through a very frustrating bag check, especially since my sister and I only had very small purses– anything that would have fit in them reasonably would have fit in our pockets! Our friend, on the other hand, brought a real sword, which we have taken to several other conventions since it is not sharp. While it would be very easy to peace-tie so that the blade isn’t accessible, security confiscated it and told us there was no coat check so they would hold it in security check. We later checked the program and found out there was a coat check but at least we ended up having the sword babysat for free all day! In the future, we know not to bring live steel to C2E2, since it wasn’t worth the hassle.
Once inside, we headed upstairs to the opening panel on the mainstage, featuring Wil Wheaton. I recently started watching Star Trek: The Next Generation and friends who have met Mr. Wheaton have told me how nice he is. Though I’m not familiar with his recent work, he has an amazing panel presence (coming from folks who consistently run panels at conventions!), turning awkward questions into excellent anecdotes. After the panel, we walked the extensive show floor and artists’ alley. The show floor for C2E2 is smaller than NYCC and it seemed a touch smaller than Wizard World Chicago, which surprised me.
We finished up Friday at the panel “Professional Geek: How to Turn Your Passion into A Career.” I hoped for a panel that would talk about monetizing your passion. Instead this panel featured folks who were in the right place at the right time. Their advice amounted to “do internships” and “work hard and sometimes for free,” which are both things I do not support. At times, passion-projects can mean you work for free but artists deserve to be paid for their work.This panel’s advice only contributed to the idea that if you love something, you should not make any money from it. Disgruntled, we left the panel early, picked up the sword, and headed home for the night.
On Saturday, I wore my Kaylee coveralls with the blue silk jacket & parasol, my friend wore Luffy (One Piece), and my sister wore her pink Sansa dress (Game of Thrones). Since the Sansa costume is so delicate and hair so intricate, we drove to the convention. The cheapest lot was $15, but that amounted to roughly the same price as public transport for the three of us. It also meant we spent a lot less time getting to the con, could bring food with us, and could get home much earlier. Luffy got several compliments on their pants and mentioned I had made them, which I did not realize at all until I looked more closely at them. Hah! The first panel we attended focused on gender identity in comics and we were happily surprised by the diversity in the panel as well as their recommendations. Since we had walked the floor on Friday, we spent a bunch of time going between the XP stations. I first experienced these at NYCC; you register your badge and then head to prize towers to tap your badge. You can win prizes within the towers as well as autographs, tickets to secret panels, digital webcomics, and more! C2E2 limits your badge to only tapping in once per day per tower, but they also had a scavenger hunt between several additional towers. We each won a small prize and, though not what we had really wanted, it was still fun! At the end of the night, we headed back to the car, munched on leftover takeout, and then went home and to bed.
Sunday, my friend was not feeling well and stayed home. My sister wore her purple Sansa dress and I wore my screen accurate pink Kaylee shirt. We took public transport and, since it was the last day, we decided to do one more thorough walk of the convention floor. At 1:30, we settled in at the Cosplay Center (which amounted to several round tables with chairs, and a long rectangular table with only ONE mic to present from, off to the side of the show floor) for our panel “Cosplay & Consent.” I moderated the panel, which featured Tess, Raggedy Amy, and Rebel Among the Stars as panelists. We talked about our experiences cosplaying, particularly as they applied to situations of questionable consent. We gave advice for photographers & con-goers on how they could ask for consent & get their pictures okayed by cosplayers, as well as what cosplayers could do to make sure their consent was respected. Though a different style panel than I am used to, I enjoyed sharing our information with the C2E2 crowd.
My sister and I finished walking through the convention, made final purchases, took a few last minute pictures before we headed out. Despite a few small things, C2E2 was a really well run convention and we all had a great time. I hope to be invited back again in the future!
I am pairing up with Entertainment Earth to give one of my fans a shiny pair of Firefly slippers! Entertainment Earth was lovely enough to send me a pair to review, which F*ckYeahFirefly helped me out with. Read the review below, and then enter to win your own pair!
When Entertainment Earth says “oversized,” they MEAN “oversized”! These cozy slippers are roughly 21 inches long from tail to nose. Your foot slips nicely into the top of the ship down to the cargo bay. I was pleasantly surprised to find that the sole of the slipper is nice and cushioned! Before I put the slippers on, I didn’t even see the full inch of padding on the bottom of the ship. The plush outer feels like a hug for my feet, with just the right amount of tightness around the middle of my foot so that I don’t live in fear of it falling off. Serenity is keeping my toes nice and cozy. My very picky feet are quite happy with the interior design of the slipper.
The structure of the ship-slipper is pretty much what you would expect: the middle holds your foot, the nose and cockpit extend from the tops of your toes, and from roughly the middle of your feet to the back of your ankle run the engine pods. They stick out of the side of the slippers, so they are the most difficult part of the ship to maneuver with your feet, but after a few steps, you get used to it. They bounce charmingly along with your steps and as long as you watch to make sure you don’t knock into anything breakable (which you should be doing regardless of misbehaving slippers), you’ll be fine.
The bottoms of the sole features no-slip rubber grippy dots, which help in maneuvering the oversized slippers, and the rest of the fabric has great detail of our beloved Serenity printed on it. It’s a different design than the Serenity Plushie you might see over at ThinkGeek or Quantum Mechanix: for one thing, the cockpit window is merged and the shuttles printed onto the sides rather than being their own separate things. The print is symmetrical right and left, which means either slipper can go on either foot and you don’t need to worry about remembering which one is which. The fabric itself is a lighter color, too, which means you can see much of the line work better. As you may or may not know, the ship has two designs: one from the show Firefly and one from the Big Damn Movie Serenity. The slippers incorporate elements of both designs – the line work is the structure of the ship from Firefly and the logo that Inara painted in the Big Damn Movie is present on the neck of the ship.
The stabilizer (the achilles heel of most Serenity products) is a separate piece of stiff fabric ingeniously sewn on so it can’t catch anything or rip itself off. It is printed with a pattern that fits with the rest of the ship, but is clearly a separate piece in much the same way the engine pods are. When I saw the promotional images online, I have to say I was worried about the stabilizer, but the idea of sewing it on is so simply genius that seeing it in person makes me smack my forehead and say, “now why didn’t I think of that?”
Overall, these slippers are cozy, nerdy, and fun to walk around in. They are one-size-fits-most and large enough to cuddle if that’s your style. I certainly plan to wear mine at every sleepover from now on.
This giveaway has ended.
Another year, another Rhode Island Comic Con, the convention which wraps up all of my conventions for the year. This year, it was much less of a hectic travel for me (though I did drive about 3hrs from Albany to the Rhode Island on Thursday evening) compared to last year. Having attended RICC consistently since 2013 (the con’s 2nd year in existence), I have seen changes made for better and for worse.
I have made myself more available as a speaker at conventions this year. I realized last year that I know enough to talk authoritatively about Firefly and other aspects of geekdom, so I figured it couldn’t hurt to apply for a panel. I loved presenting and I want to keep hosting panels forever. At RICC, I debuted a new panel I am really proud of: ‘What Not To Ask at a Celebrity Q&A.’ This panel needs some refinement (but so did my Firefly panel when I first did that back at Chicago Comic Con 2016), but I hope to bring it to more cons in 2017. I also ran ‘The Expanding Firefly ‘Verse’ with Laurel of FuckYeahFirefly.com who happens to be one of my best friends. We streamed the event on Facebook live and it’s on my facebook page.
Though our Firefly panel went really well, we did struggle because we weren’t give a projector. My panels always feature slideshows for visual aid (especially in the Firefly panel, since it’s much easier to show pictures of Firefly merch rather than bringing all the merch with me– I would have been really out of luck if this weren’t a local convention!) AND help those who are hard of hearing or visual learners instead of auditory learners. Plus, I include links to everything to help folks find the merch I promote, which are basically impossible to see without a larger projection than just my laptop screen. Prior to RICC, I had only presented at Wizard World conventions but, for all of the conventions I have submitted to, I am guaranteed a projector for my A/V needs. I hope in the future, RICC can make that happen for panelists or clarify that audio-visual tools are limited so panelists like me can make other plans.
Other than that A/V snafu, the room sizes were about perfect for my anticipated audience size and receiving vendor badges made it so much easier to get through security faster (which was a big help, when I was almost late to my Saturday panel because the parking was so terrible). However, more folks would have shown up to my panels if we were scheduled a little better and if the schedule was clearer. RICC is the only convention I know of that does not make the schedule available in the program books you receive at the convention. These program books should absolutely have the schedule in them. The only place to find the programming schedule was on RICC’s website (which is kind of an eyesore and takes forever to load), the very glitchy mobile app, or posters throughout the con that only mentioned events for that day. There was no place with a map that listed exactly what events were where. Instead, RICC had maps on poster boards in random places that had the layout and numbers but didn’t list which vendors correlated with which numbers or where to find the celebrity meet-and-greets.
Like last year, RICC took place both in the convention center and in the adjacent Dunkin Donuts stadium (“The Dunk”). Most of the vendors and some of the “smaller” celebs were in the main hall at the convention center. I say “smaller” in quotation marks because they considered Brent Spiner (Data in Star Trek TNG) and Summer Glau (River Tam in Firefly and Serenity) – among others! – “smaller” celebrities. These are practically household names for nerds like me! The main hall also featured artists alley, and the entirety was laid out in columns instead of rows, so navigating was incredibly difficult.
Like last year, other celebrities were in the stadium, though these folks (and their lines) were on the actual rink rather than being in the circle surrounding it (the opposite of last year). One of the vendors in the ring around the rink said that sales had been really good in this area, which surprised me because that area was a pain to get to for convention attendees. Though there is a sky bridge that connects the Dunk to the convention center, it was going ONE WAY, from the Dunk to the convention center. If you wanted to see a celeb or vendor in the Dunk, you had to go outside the convention center to walk to the Dunk. While I walked the main hall floor a whole bunch of times, I only ventured over to the Dunk twice over the whole weekend due to the one-way sky bridge. It makes more sense to me to lay that out the opposite way, and push traffic into the Dunk to make the convention center less busy, which is an issue for RICC every year.
Another issue was photo-ops. Laurel was really excited to get a professional photo with Summer Glau, who has rarely offered them in the past, but was hugely disappointed by what she ended up with, and the work she had to do to get it. Though RICC claimed to offer photo-op sales online (which could be purchased in advance), Laurel couldn’t find one for Summer so she had to buy it at the con. At the convention, staffers almost wouldn’t let her buy a photo-op because they claimed to have capped all photo-op sales by Saturday morning. At RICC (like most cons) photo-ops and autographs are cash only. Because Laurel didn’t have any cash on hand Friday, she figured she could get cash first thing in the morning to pay for a photo-op since RICC offered both Saturday and Sunday photo-ops with Summer. Eventually, staff let her purchase one but the result was awful. When the time for the picture came, the lighting was horrible, the photographer framed the picture poorly, and it even came out blurry. When Laurel asked to re-take the photo, they said the best they could do was re-print the same picture in portrait rather than landscape. She decided to cut her losses and roll with the crappy photo she received. Suffice to say, I recommend against purchasing “professional” photo-ops at RICC.
The “vendor” vs. “artist alley” organization made very little sense since a lot of the vendors in the Dunk seemed like they would fit really nicely into an Artists’ Alley section. A friend commented that she was disappointed there wasn’t more focus on the artists. We had gone to NYCC together and loved everything in ‘The Block,’ which includes a lot more grunge-y art work and where I spent most of my money on enamel pins. We also noted that bigger cons like NYCC feature panels about diversity and RICC hasn’t caught onto that yet. At NYCC, I didn’t feel the need to attend many of the feminist/POC/queer panels since we’d seen them in the past, but we both agreed that it’s definitely something that should be present at every convention, RICC included.
Yet again, I don’t understand why RICC splits the celebs and vendors up. The celebrities should all be in one building with the vendors/artists’ alley in another. Every other convention does it that way, rather than arbitrarily splitting up the celebrities. One person argued that putting vendors in one building and celebs in another would result in attendees who were just interested in meeting celebs never visiting the vendor hall, but I really don’t think that’s an issue. If those con-goers want to see a panel, they’ll be in the con hall. If they want to buy a photo to get signed, they’ll be in the con hall. Plus, if they are spending $50-$75 PLUS the price of a photo-op or autograph, they’re likely to walk the con hall just to get their money’s worth. And if they don’t want to see the vendors, that’s their prerogative, as a paying convention attendee.
All that being said, I don’t imagine RICC will go anywhere else anytime soon. The convention center is the largest in RI. Though it screws up traffic in the area for those three days, it’s good to see so much seating & eating available in the vicinity. Being next to the mall is great when you need a break and don’t want to spend $4 on a bottle of water in the convention center. This convention also seemed a lot less busy than last year’s RICC and I think it may have had to do with cancellations from some of the bigger name guests (like Billie Piper). I think it’s a good idea for RICC to feature only 1 or 2 bigger name guests, because it makes the traffic much less horrible and allows the con to focus its energy on spotlighting those special guests. I intend to attend RICC again in 2017 and I hope it continues to grow and change into the con that I believe it can be.
After thousands of miles of travel, and almost every single kind of mode of transportation possible, I am finally home from Wizard World Madison Comic Con 2016.
Having never visited Madison, WI before now, the invitation to present my “Expanding Firefly ‘Verse” panel gave me not only the chance to visit my family in Chicago, but also a chance to see a new city! Plus I got to visit cosplay friends I don’t see very often. Oh yeah, and bring my panel to more folks… and see Jewel Staite in person.
The trip began on Wednesday night when I took a train into Boston. I stayed the night with a friend and then took the first Silver Line on Thursday to catch my 7am flight to Chicago. Once in Chicago, I stayed for just one night before getting up early and taking a train to the bus that would eventually take me to Madison. I traveled on the Van Galder bus line, which is $30 no matter what and resembles a double decker Megabus. I got the best seat in the house: the front row on the top deck which means huge windows all around. This bus had great wifi, but also randomly leaked through the ceiling at times. 8/10.
I stayed with my friend SparrowStyle who happens to live right near the bus stop. We ate lunch before heading to the convention. Day one was relatively slow. We walked the entire convention floor (comparable roughly to the size of Wizard World Philly the first year that I went, or the Rhode Island Convention Center), and scoped out the room where I would be presenting my panel on Saturday. After that, we called it a day and headed home for sushi and Netflix.
Saturday, we headed to the convention around 11 in the morning, so I would have time to set up the room for my panel and make sure my laptop hooked up correctly. I met up with my co-panelist, and we went over a few things before the panel started. This panel was a lot more in depth than the last time I presented it. I included information about new graphic novels (the next one comes out in less than a month during Free Comic Book Day) as well as about QMx’s partnership with Loot Crate for the Firefly Loot Crates. I also added information about fan films that exist or are being made, including Browncoat Redemption, The Verse, Browncoats: Independence War, and A Faithful Companion.
You’ll have to catch me at a convention to see the whole panel (and have a chance at some of the shiny things I give away at panels), you can check out future panels and events by clicking here. SparrowStyle and I walked the floor again, stopping here and there to pick up art. SparrowStyle and I also entered the cosplay competition, before I headed over to see Jewel Staite’s panel. I caught the tail end of the Agents of Shield panel and, as that was emptying out, managed to get a seat in the very front row of Jewel’s panel!
We didn’t get much new info from Jewel, but she did talk about being a new mom: her son is now four months old! She did talk about how she almost got a role in Buffy, but scheduling meant she couldn’t. When she was cast in Firefly, she was asked by Joss directly to film a tape for Kaylee, she didn’t even have to put in a general audition. She did mention reading the character descriptions and wanting to read for River. Jewel also mentioned being so grateful for being able to travel all around the world thanks to Firefly, and how she still runs into people who’ve seen it or are just starting to watch it. She’s been working a lot lately, including a recent episode of Legends of Tomorrow and an upcoming episode of Castle, where she loved working with Nathan Fillion again.
After the panel, we spent more time around the convention floor before lining up for the cosplay competition. This year (unlike last year, according to SparrowStyle), the competition was held in the Arena, rather than the main convention center. This is also where all the celebrity panels were held. We lined up in the main convention center before we were escorted us over to the Arena (the area between the two was outdoors and pretty chilly). We waited backstage, and then were announced and had our four seconds to shine! Madison Comic Con had tons of fantastic cosplays this year in the contest. There was a whole group of Doctors (as well as the Doctor’s daughter and Amy Pond), a guy who made the power armor from Fall Out, and even a set of hands of blue. You can see pictures from the whole convention on the Wizard World Flickr page.
Overall, I had a fantastic convention experience. Madison is definitely an up and coming convention that I see getting bigger and bigger every year. I hope to be invited again in the future!
I was interviewed for the first ever (!!) Firefly Loot Crate, naturally themed after our favorite mechanic. To save $5 on your first Loot Crate, whether it be Firefly or not, click here.
Full Transcript follows:
“If you’ve ever done a double-take at a Kaylee cosplay so perfect you cannot gorram believe it, chances are you’re looking at Ask Kaylee Frye. Wearing what could arguably be considered her cosplay destiny, the voice of askkayleefrye.com conquered social media (and our hearts) as everyone’s favorite space mechanic and fluffy dress enthusiast. We sat down with Ask Kaylee Frye in the engine room to discuss her career in coveralls.
What convinced you to embrace your Kaylee destiny?
I decided to go to NYCC in 2012 with a friend, and I had a pair of green denim coveralls I had found at a thrift store a little while back. I figured, what the heck, why not wear them to the convention? People’s reactions were incredible! I lost count after 50 people asked to take my picture and told me I really looked like her. I feel bad, looking back now, because those coveralls are SO inaccurate (especially compared to the ones I wear now) but so many people told me my cosplay was great when really they just meant my face (thanks mom and dad).
You’ve become the go-to source for cosplayers seeking advice on their own costumes. What questions are you 100% tired of hearing?
People ask me a LOT where I get my stuff, to the point where I made an FAQ about it. I get asked about my coveralls a lot, because they’re very accurate to the show. I found them at a military surplus store that no longer sells them.
You have met many of the Firefly cast members. Any favorite stories about meeting the actual crew?
Oh man. The best I think was at Philadelphia Comic Con. I purchased photo-ops with Gina, Adam and Jewel. When I got my picture with Adam, Jewel happened to also be in the booth, just checking her phone on the sidelines. I got up to him and he looks at me, says “You look familiar!” and then points at Jewel. I also had a wonderful time meeting Morena Baccarin at Chicago Comic Con a couple years back. There was no line at all for her autograph, so a friend and I went up to her and just talked for a little while. We also had made flower crowns for her and Alan and Summer which she wore for the rest of the convention.
What is your favorite costume piece?
I do love my green coveralls. I’m really proud of them, especially because they were one of the first real cosplays I made for myself. Plus I know if I wear them, I’m gonna get recognized. I’ve also made costumes for my best friend and for my sister that I love.