Another year, another Rhode Island Comic Con, the convention which wraps up all of my conventions for the year. This year, it was much less of a hectic travel for me (though I did drive about 3hrs from Albany to the Rhode Island on Thursday evening) compared to last year. Having attended RICC consistently since 2013 (the con’s 2nd year in existence), I have seen changes made for better and for worse.
I have made myself more available as a speaker at conventions this year. I realized last year that I know enough to talk authoritatively about Firefly and other aspects of geekdom, so I figured it couldn’t hurt to apply for a panel. I loved presenting and I want to keep hosting panels forever. At RICC, I debuted a new panel I am really proud of: ‘What Not To Ask at a Celebrity Q&A.’ This panel needs some refinement (but so did my Firefly panel when I first did that back at Chicago Comic Con 2016), but I hope to bring it to more cons in 2017. I also ran ‘The Expanding Firefly ‘Verse’ with Laurel of FuckYeahFirefly.com who happens to be one of my best friends. With the help of her girlfriend Marg, we streamed the event on Facebook live and it’ll be up for viewing for at least a month on my facebook page.
Though our Firefly panel went really well, we did struggle because we weren’t give a projector. My panels always feature slideshows for visual aid (especially in the Firefly panel, since it’s much easier to show pictures of Firefly merch rather than bringing all the merch with me– I would have been really out of luck if this weren’t a local convention!) AND help those who are hard of hearing or visual learners instead of auditory learners. Plus, I include links to everything to help folks find the merch I promote, which are basically impossible to see without a larger projection than just my laptop screen. Prior to RICC, I had only presented at Wizard World conventions but, for all of the conventions I have submitted to, I am guaranteed a projector for my A/V needs. I hope in the future, RICC can make that happen for panelists or clarify that audio-visual tools are limited so panelists like me can make other plans.
Other than that A/V snafu, the room sizes were about perfect for my anticipated audience size and receiving vendor badges for my panelists and I made it so much easier to get through security faster (which was a big help when I was almost late to my Saturday panel because the parking was so terrible). However, more folks would have shown up to my panels if we were scheduled a little better and if the schedule was clearer. RICC is the only convention I know of that does not make the schedule available in the program books you receive at the convention. These program books should absolutely have the schedule in them. The only place to find the programming schedule was on RICC’s website (which is kind of an eyesore and takes forever to load), the very glitchy mobile app, or posters throughout the con that only mentioned events for that day. There was no place with a map that listed exactly what events were where. Instead, RICC had maps on poster boards in random places that had the layout and numbers but didn’t list which vendors correlated with which numbers or where to find the celebrity meet-and-greets.
Like last year, RICC took place both in the convention center and in the adjacent Dunkin Donuts stadium (“The Dunk”). Most of the vendors and some of the “smaller” celebs were in the main hall at the convention center. I say “smaller” in quotation marks because they considered Brent Spiner (Data in Star Trek TNG) and Summer Glau (River Tam in Firefly and Serenity) – among others! – “smaller” celebrities. These are practically household names for nerds like me! The main hall also featured artists alley, and the entirety was laid out in columns instead of rows, so navigating was incredibly difficult.
Like last year, other celebrities were in the stadium, though these folks (and their lines) were on the actual rink rather than being in the circle surrounding it (the opposite of last year). One of the vendors in the ring around the rink said that sales had been really good in this area, which surprised me because that area was a pain to get to for convention attendees. Though there is a sky bridge that connects the Dunk to the convention center, it was going ONE WAY, from the Dunk to the convention center. If you wanted to see a celeb or vendor in the Dunk, you had to go outside the convention center to walk to the Dunk. While I walked the main hall floor a whole bunch of times, I only ventured over to the Dunk twice over the whole weekend due to the one-way sky bridge. It makes more sense to me to lay that out the opposite way, and push traffic into the Dunk to make the convention center less busy, which is an issue for RICC every year.
Another issue was photo-ops. Laurel was really excited to get a professional photo with Summer Glau, who has rarely offered them in the past, but was hugely disappointed by what she ended up with and the work she had to do to get it. Though RICC claimed to offer photo-op sales online (which could be purchased in advance), Laurel couldn’t find one for Summer so she had to buy it at the con. At the convention, staffers almost wouldn’t let her buy a photo-op because they claimed to have capped all photo-op sales by Saturday morning. At RICC (like most cons) photo-ops and autographs are cash only. Because Laurel didn’t have any cash on hand Friday, she figured she could get cash first thing in the morning to pay for a photo-op since RICC offered both Saturday and Sunday photo-ops with Summer. Eventually, staff let her purchase one but the result was awful. When the time for the picture came, the lighting was horrible, the photographer framed the picture poorly, and it even came out blurry. When Laurel asked to re-take the photo, they said the best they could do was re-print the same picture in portrait rather than landscape. She decided to cut her losses and roll with the crappy photo she received. Suffice to say, I recommend against purchasing “professional” photo-ops at RICC.
The “vendor” vs. “artist alley” organization made very little sense since a lot of the vendors in the Dunk seemed like they would fit really nicely into an Artists’ Alley section. Marg commented that she was disappointed there wasn’t more focus on the artists. Marg and I went to NYCC together and loved everything in ‘The Block,’ which includes a lot more grunge-y art work and where I spent most of my money on enamel pins. We also noted that bigger cons like NYCC feature panels about diversity and RICC hasn’t caught onto that yet. At NYCC, Marg and I didn’t feel the need to attend many of the feminist/POC/queer panels since we’d seen them in the past, but we both agreed that it’s definitely something that should be present at every convention, RICC included.
Yet again, I don’t understand why RICC splits the celebs and vendors up. The celebrities should all be in one building with the vendors/artists’ alley in another. Every other convention does it that way, rather than arbitrarily splitting up the celebrities. One person argued that putting vendors in one building and celebs in another would result in attendees who were just interested in meeting celebs never visiting the vendor hall, but I really don’t think that’s an issue. If those con-goers want to see a panel, they’ll be in the con hall. If they want to buy a photo to get signed, they’ll be in the con hall. Plus, if they are spending $50-$75 PLUS the price of a photo-op or autograph, they’re likely to walk thecon hall just to get their money’s worth. And if they don’t want to see the vendors, that’s their prerogative as a paying convention attendee.
All that being said, I don’t imagine RICC will go anywhere else anytime soon. The convention center is the largest in RI. Though it screws up traffic in the area for those three days, it’s good to see so much seating & eating available in the vicinity. Being next to the mall is great when you need a break and don’t want to spend $4 on a bottle of water in the convention center. This convention also seemed a lot less busy than last year’s RICC and I think it may have had to do with cancellations from some of the bigger name guests (like Billie Piper). I think it’s a good idea for RICC to feature only 1 or 2 bigger name guests, because it makes the traffic much less horrible and allows the con to focus its energy on spotlighting those special guests. I intend to attend RICC again in 2017 and I hope it continues to grow and change into the con that I believe it can be.