Rhode Island Comic Con 2015 + Photos of shows!

My journey to Rhode Island Comic Con this year started on Thursday. I woke up at 7:30 in the morning, which was really too early since my class didn’t start til 10 am, but I was way excited to be heading back to the east coast! I had class from 10-2 and boy, that dragged on. After class, I took a quick nap before heading to a training at work, which was supposed to be at 5:30. I worked til 12:30 and then headed home, red bull in hand. My flight was at 7am on Friday, and so I had to get there around 6am, and to do that, I had to take the 5:15 bus to the airport. So I figured I should just stay up all night, and sleep on the 5 hr flight.

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MISTAKE. Do they keep making the seats less comfortable and smaller, or am I imagining it? Usually I go for window seats, because they are the best to sleep in, but the window seats on this plane were way in the back, so I opted for a middle seat as close to the front as possible. The guy in the window seat next to me didn’t get the memo that if you have the window you need to not get up (TWICE!) and make the rest of the people in your row get up. Suffice to say, I had next to no sleep on that flight, and my neck and shoulders hate me.

Once in Boston, I headed straight for the commuter rail out to Rhode Island. An hour and change later, I was in Providence! I met up with friends and went straight to the convention center, where they had yet to set up the main exhibitors room. What the heck. We were there from around 7 to at least 8:30, when our set up only took a half hour at most. We finally headed home and I fell asleep so hard.

Saturday, RKO performed The Devil’s Carnival, REPO: The Genetic Opera, and The Rocky Horror Picture Show in room 554b, a room about half the size of the room we had last year-this was frustrating point number 2. Frustrating point number 1 was that RICC would only give RIMG_20151107_120254KO Army a total of 20 badges, and wanted us to perform 7 shows over the course of the weekend. While smaller shows, like Rocky and Firefly Out Of Gas can be performed with that limited a number of badges, bigger shows like Repo and Jaynestown are next to impossible. Several people in RKO ended up buying badges for the weekend (even though they wouldn’t get to enjoy the convention at all, since they were performing almost the entire time), and other people had to stress out and switch badges. Especially since RICC this year had done a tap-in-tap-out badge system, you couldn’t get in if your badge wasn’t scanned that you got out. It makes sense for not letting people sneak in, but really screwed us over. We were also supposed to get wristbands, as performers, so we could enter through any entrance. Never happened.

I photographed TDC, which went pretty well, and then headed over to the food court in the adjacent mall, in hopes I could grab food for people. Performers in TDC technically had an hour between that and REPO, but many of them had significant make-up and costume changes, and thus would not have a lot of time to eat, if they went and got food. The food court was busy, which was to be expected, but I didn’t even get back until after REPO started. A friend was in both TDC and REPO, and was one of the people I grabbed food for, and he ended up crouched backstage eating the burger I brought him between scenes.

Between REPO and Rocky, we had a bit more time, and I got to actually walk the show floor. This year, RICC inhabited not only the Rhode Island Convention Center, but the Dunkin Donuts center as well. The main exhibitor’s floor, in the convention center, was about the size of Wizard World Philadelphia (at least the year I went) or the upstairs (horror fest? Bruce Campbell fest? I have no idea) portion of Chicago Comic Con this year. It included many artists and exhibitors, some of the smaller celebrity autograph lines, and Karen Gillan and Alex Kingston. I believe the photo-ops were also on that floor. Upstairs, as usual, a band played for a portion of time, and the panels went on.

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Apparently the main entrance was in the Dunkin Donuts center. The first floor was a circle of artists/fan tables/exhibitors? I’m not sure, because I never got a map, and apparently there wasn’t one. Looking at the website, I couldn’t find one at all,the floorplan link doesn’t link anywhere.  There were two places on that main floor to go down a floor lower. On the lower floor, the stadium housed a bunch more exhibitors, and in a semi circle outside THAT, there were more exhibitors, as well as rooms with other celebrities, like all the Sons of Anarchy people. The Batmobile was down there, as well, if I remember correctly.

Speaking with other exhibitors, we all didn’t get why it was laid out the way it was. I spent less than a half hour in the Dunkin Donuts center, because it was a pain to get to. It would have worked better if they used that space for autographs and photo-ops, and maybe the vehicles (as Wizard World conventions often do), and kept all the exhibitors/artists/fan tables in the RI Convention Center. People would travel between the two, because most people want to buy things AS WELL AS see celebrities.

Sunday, we had Out of Gas at noon. About 6 people were in the audience, which was unsurprising because there was NO mention of RKO Army ANYWHERE in the program, and only a tiny mention at the bottom of a webpage on the site about it. We still kicked butt, and then headed into Jaynestown about 10 minutes after it ended. It was actually really fun doing both shows, especially because I haven’t done them in such a while. And I totally killed the quick change in Out of Gas that is the bane of my existence.

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There was an hour break before Buffy started up, and I wasn’t in Buffy or Dr. Horrible, which was our final show of the con. My friend and I went into the mall and sat down to a slower lunch. We also grabbed food for folks, and dropped it off with them before leaving the con early.

If you know me, you know I have almost never left a con early (unless it’s a Monday con, like Arisia, where there is almost no programming on the last day of the convention). I bought nothing at the convention, and generally spent the whole time exhausted. I ended up sleeping until 2:30pm on Monday. Maybe it was because I had done 2 conventions in 2 weekends, but I think it was more likely that Rhode Island Comic Con was ridiculously busy and spread apart, and it just wasn’t enjoyable to travel between the two sections. From the point of view of a convention-goer, RICC was way better than last year. From the point of view of a guest of the convention, it was way worse. I hope they figure out a happy medium for next year.

Comikaze 2015

This past weekend was my very first Comikaze in Los Angeles, California. Comikaze started in 2010 and has been getting ever bigger since. I got the opportunity to attend through the company Emet Comics, for whom I run social media. The convention ran Friday, October 30th to Sunday November 1st.

Friday, we arrived early to set up. Because it is finally getting chillier in LA, I decided to wear a shirt that I hadn’t yet worn at a convention! Once the con floor opened, I walked around a little bit. The main hall (“West Hall”) was a bit smaller than one of the show floors at Chicago Comic Con. There was a museum of Stan Lee in the back of the hall, lots of vendors and a really unique artists alley. Since it was Halloween weekend, a lot of people had fantastic spooky stuff they were selling. Loot Crate was also there, with QMX’s gorgeous Serenity model. I couldn’t help but take a few pictures later on Sunday.

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Saturday, I headed over to the South Hall (which I didn’t know about at all) to see Summer Glau’s panel. This panel (and all the special guest panels at Comikaze) was held at the Hot Topic Main Stage. Unlike any other convention I have ever been to, this stage was actually in an exhibitor’s hall, which also housed cosplayers who had tables (#goals), fan tables, and the wonderful Gudetama booth.

Since the stage is not in it’s own room, there is actually no seating (except those reserved for folks with disabilities on either side of the stage). Since many of the panels were shorter than those at other conventions (ranging usually 15-30 minutes), it wasn’t difficult for me to stand the whole time. Plus you never had to worry about getting a seat. However, I wasn’t a fan of all the press photographers at the front, who blocked the actual conventioners trying to watch the panels.

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Summer’s panel was wonderful, and she talked a lot about how dancing has influenced how she performs as her characters. She also spoke about how everything in Serenity was choreographed for her, so she could do as much of it as possible… and experience very different from LARPing in Knights of Badassdom.

Sunday I spent more time walking around, got a poster signed by Tommy Wiseau, and spent a bit more time in the South Hall.

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Overall, it was a really great convention! Besides the weird structure of panels, and the way the main stage was set up, it felt very much like a smaller Wizard World Con.